Well, I was out at the park enjoying a sweltering Pride Festival when my phone did the musical little boopboopbeep thing it does for incoming email. I probably should have made my way to the booze vendor before checking it, but I have that smart phone OCD that disallows notification icons spending any time on the home screen. Maybe, just maybe, had I waited to get that weird little bucket of innocuously named, red-tinted booze into my hands first, the email would have read differently than this:
“Thanks so much for letting me take a look at THE COALSLIDES. While I found the concept appealing, I’m afraid I just didn’t connect with the voice as I’d have liked to, and so I’m not the right fit for it. I do appreciate you thinking of me and wish you the very best luck finding the ideal agent to represent you and your work.”
So there’s another query crushed to death. I still have a pretty long list of potential agents to work my way through, so I’m not going to spiral down into some blubbering depression yet, but it’s always a little sad to see your baby punched in the face.
The upside: This agent was honest. If an agent can’t connect with the manuscript then they won’t do the best job selling it to a publisher.
The downside: If the ‘voice’ is the biggest problem my manuscript has, then it has an enormous problem. This is one of those things that are difficult to determine on your own because you read it in the same voice you wrote it in – your voice. If that voice isn’t connecting to a reader, then the problem is much more difficult to fix than grammar, spelling, inconsistent tense, character development, or any of the myriad other reasons an agent may hate what you write.
Personally, I will choose to believe that though this agent did not connect to the voice, another will. Maybe the one that this next query is going out to.